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      <image:caption>Originating with Louise Bourgeois’ gouache drawings on paper of male and female torsos in profile, Tracey Emin ‘responded’ by adding handwritten text, line drawings and gouache</image:caption>
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      <image:title>LB Tracey</image:title>
      <image:caption>Originating with Louise Bourgeois’ gouache drawings on paper of male and female torsos in profile, Tracey Emin ‘responded’ by adding handwritten text, line drawings and gouache</image:caption>
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      <image:title>LB Tracey</image:title>
      <image:caption>Originating with Louise Bourgeois’ gouache drawings on paper of male and female torsos in profile, Tracey Emin ‘responded’ by adding handwritten text, line drawings and gouache</image:caption>
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      <image:title>LB Tracey</image:title>
      <image:caption>Originating with Louise Bourgeois’ gouache drawings on paper of male and female torsos in profile, Tracey Emin ‘responded’ by adding handwritten text, line drawings and gouache</image:caption>
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      <image:title>LB Tracey</image:title>
      <image:caption>Originating with Louise Bourgeois’ gouache drawings on paper of male and female torsos in profile, Tracey Emin ‘responded’ by adding handwritten text, line drawings and gouache</image:caption>
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      <image:title>LB Tracey</image:title>
      <image:caption>Originating with Louise Bourgeois’ gouache drawings on paper of male and female torsos in profile, Tracey Emin ‘responded’ by adding handwritten text, line drawings and gouache</image:caption>
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      <image:title>LB Tracey</image:title>
      <image:caption>Originating with Louise Bourgeois’ gouache drawings on paper of male and female torsos in profile, Tracey Emin ‘responded’ by adding handwritten text, line drawings and gouache</image:caption>
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      <image:title>LB Tracey</image:title>
      <image:caption>Originating with Louise Bourgeois’ gouache drawings on paper of male and female torsos in profile, Tracey Emin ‘responded’ by adding handwritten text, line drawings and gouache</image:caption>
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      <image:title>LB Tracey</image:title>
      <image:caption>Originating with Louise Bourgeois’ gouache drawings on paper of male and female torsos in profile, Tracey Emin ‘responded’ by adding handwritten text, line drawings and gouache</image:caption>
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      <image:caption>Originating with Louise Bourgeois’ gouache drawings on paper of male and female torsos in profile, Tracey Emin ‘responded’ by adding handwritten text, line drawings and gouache</image:caption>
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      <image:title>LB Tracey</image:title>
      <image:caption>Originating with Louise Bourgeois’ gouache drawings on paper of male and female torsos in profile, Tracey Emin ‘responded’ by adding handwritten text, line drawings and gouache</image:caption>
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      <image:caption>Originating with Louise Bourgeois’ gouache drawings on paper of male and female torsos in profile, Tracey Emin ‘responded’ by adding handwritten text, line drawings and gouache</image:caption>
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      <image:title>LB Tracey</image:title>
      <image:caption>Originating with Louise Bourgeois’ gouache drawings on paper of male and female torsos in profile, Tracey Emin ‘responded’ by adding handwritten text, line drawings and gouache</image:caption>
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      <image:caption>Originating with Louise Bourgeois’ gouache drawings on paper of male and female torsos in profile, Tracey Emin ‘responded’ by adding handwritten text, line drawings and gouache</image:caption>
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      <image:caption>Originating with Louise Bourgeois’ gouache drawings on paper of male and female torsos in profile, Tracey Emin ‘responded’ by adding handwritten text, line drawings and gouache</image:caption>
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      <image:caption>The Hours of the Day is a chronological sequence of 24 page-spreads with text on one side and a sequential clock on the other. The text comes from Bourgeois’s daybooks, which she used for appointments and annotated with short texts and drawings.</image:caption>
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      <image:caption>The Hours of the Day is a chronological sequence of 24 page-spreads with text on one side and a sequential clock on the other. The text comes from Bourgeois’s daybooks, which she used for appointments and annotated with short texts and drawings.</image:caption>
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      <image:caption>The Hours of the Day is a chronological sequence of 24 page-spreads with text on one side and a sequential clock on the other. The text comes from Bourgeois’s daybooks, which she used for appointments and annotated with short texts and drawings.</image:caption>
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      <image:title>Louise Bourgeois - Hours of the Day, 2006</image:title>
      <image:caption>The Hours of the Day is a chronological sequence of 24 page-spreads with text on one side and a sequential clock on the other. The text comes from Bourgeois’s daybooks, which she used for appointments and annotated with short texts and drawings.</image:caption>
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      <image:title>Louise Bourgeois - Hours of the Day, 2006</image:title>
      <image:caption>The Hours of the Day is a chronological sequence of 24 page-spreads with text on one side and a sequential clock on the other. The text comes from Bourgeois’s daybooks, which she used for appointments and annotated with short texts and drawings.</image:caption>
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      <image:title>Louise Bourgeois - Hours of the Day, 2006</image:title>
      <image:caption>The Hours of the Day is a chronological sequence of 24 page-spreads with text on one side and a sequential clock on the other. The text comes from Bourgeois’s daybooks, which she used for appointments and annotated with short texts and drawings.</image:caption>
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      <image:title>Louise Bourgeois - Hours of the Day, 2006</image:title>
      <image:caption>The Hours of the Day is a chronological sequence of 24 page-spreads with text on one side and a sequential clock on the other. The text comes from Bourgeois’s daybooks, which she used for appointments and annotated with short texts and drawings.</image:caption>
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      <image:title>Louise Bourgeois - Hours of the Day, 2006</image:title>
      <image:caption>The Hours of the Day is a chronological sequence of 24 page-spreads with text on one side and a sequential clock on the other. The text comes from Bourgeois’s daybooks, which she used for appointments and annotated with short texts and drawings.</image:caption>
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      <image:caption>The Hours of the Day is a chronological sequence of 24 page-spreads with text on one side and a sequential clock on the other. The text comes from Bourgeois’s daybooks, which she used for appointments and annotated with short texts and drawings.</image:caption>
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      <image:title>Louise Bourgeois - Hours of the Day, 2006</image:title>
      <image:caption>The Hours of the Day is a chronological sequence of 24 page-spreads with text on one side and a sequential clock on the other. The text comes from Bourgeois’s daybooks, which she used for appointments and annotated with short texts and drawings.</image:caption>
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      <image:caption>The Hours of the Day is a chronological sequence of 24 page-spreads with text on one side and a sequential clock on the other. The text comes from Bourgeois’s daybooks, which she used for appointments and annotated with short texts and drawings.</image:caption>
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      <image:caption>The Hours of the Day is a chronological sequence of 24 page-spreads with text on one side and a sequential clock on the other. The text comes from Bourgeois’s daybooks, which she used for appointments and annotated with short texts and drawings.</image:caption>
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      <image:caption>The Hours of the Day is a chronological sequence of 24 page-spreads with text on one side and a sequential clock on the other. The text comes from Bourgeois’s daybooks, which she used for appointments and annotated with short texts and drawings.</image:caption>
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      <image:caption>The Hours of the Day is a chronological sequence of 24 page-spreads with text on one side and a sequential clock on the other. The text comes from Bourgeois’s daybooks, which she used for appointments and annotated with short texts and drawings.</image:caption>
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      <image:caption>The Hours of the Day is a chronological sequence of 24 page-spreads with text on one side and a sequential clock on the other. The text comes from Bourgeois’s daybooks, which she used for appointments and annotated with short texts and drawings.</image:caption>
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      <image:caption>The Hours of the Day is a chronological sequence of 24 page-spreads with text on one side and a sequential clock on the other. The text comes from Bourgeois’s daybooks, which she used for appointments and annotated with short texts and drawings.</image:caption>
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      <image:caption>The Hours of the Day is a chronological sequence of 24 page-spreads with text on one side and a sequential clock on the other. The text comes from Bourgeois’s daybooks, which she used for appointments and annotated with short texts and drawings.</image:caption>
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      <image:caption>The Hours of the Day is a chronological sequence of 24 page-spreads with text on one side and a sequential clock on the other. The text comes from Bourgeois’s daybooks, which she used for appointments and annotated with short texts and drawings.</image:caption>
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      <image:caption>The Hours of the Day is a chronological sequence of 24 page-spreads with text on one side and a sequential clock on the other. The text comes from Bourgeois’s daybooks, which she used for appointments and annotated with short texts and drawings.</image:caption>
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      <image:caption>The Hours of the Day is a chronological sequence of 24 page-spreads with text on one side and a sequential clock on the other. The text comes from Bourgeois’s daybooks, which she used for appointments and annotated with short texts and drawings.</image:caption>
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      <image:caption>The Hours of the Day is a chronological sequence of 24 page-spreads with text on one side and a sequential clock on the other. The text comes from Bourgeois’s daybooks, which she used for appointments and annotated with short texts and drawings.</image:caption>
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      <image:title>Thomas Schütte - Für Aussen, 1987</image:title>
      <image:caption>THOMAS SCHÜTTE Für Aussen, 1987 Suite of 10 color screen prints on board. Sketches for outdoor sculpture projects</image:caption>
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      <image:title>Thomas Schütte - Für Aussen, 1987</image:title>
      <image:caption>THOMAS SCHÜTTE Für Aussen, 1987 Suite of 10 color screen prints on board. Sketches for outdoor sculpture projects</image:caption>
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      <image:caption>THOMAS SCHÜTTE Für Aussen, 1987 Suite of 10 color screen prints on board. Sketches for outdoor sculpture projects</image:caption>
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      <image:caption>THOMAS SCHÜTTE Für Aussen, 1987 Suite of 10 color screen prints on board. Sketches for outdoor sculpture projects</image:caption>
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      <image:caption>THOMAS SCHÜTTE Für Aussen, 1987 Suite of 10 color screen prints on board. Sketches for outdoor sculpture projects</image:caption>
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      <image:caption>THOMAS SCHÜTTE Für Aussen, 1987 Suite of 10 color screen prints on board. Sketches for outdoor sculpture projects</image:caption>
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      <image:caption>THOMAS SCHÜTTE Architektur Modelle, 1980-2006 Suite of 27 etchings</image:caption>
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      <image:title>Thomas Schütte - Volume II (The Big Nix), 2005</image:title>
      <image:caption>THOMAS SCHÜTTEVolume II (The Big Nix), 2005Portfolio of 17 color etchings - abstract reads 'come in and find out'</image:caption>
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      <image:title>Thomas Schütte - Volume II (The Big Nix), 2005</image:title>
      <image:caption>THOMAS SCHÜTTEVolume II (The Big Nix), 2005Portfolio of 17 color etchings - moon</image:caption>
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      <image:title>Thomas Schütte - Volume II (The Big Nix), 2005</image:title>
      <image:caption>THOMAS SCHÜTTEVolume II (The Big Nix), 2005Portfolio of 17 color etchings - abstract</image:caption>
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      <image:title>Thomas Schütte - Volume II (The Big Nix), 2005</image:title>
      <image:caption>THOMAS SCHÜTTEVolume II (The Big Nix), 2005Portfolio of 17 color etchings - abstract</image:caption>
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      <image:title>Thomas Schütte - Silly Lillies, 1995</image:title>
      <image:caption>THOMAS SCHÜTTE Silly Lillies, 1995 Suite of 7 color lithographs of lillies</image:caption>
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      <image:title>Thomas Schütte - Silly Lillies, 1995</image:title>
      <image:caption>THOMAS SCHÜTTE Silly Lillies, 1995 Suite of 7 color lithographs of lillies</image:caption>
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      <image:title>Thomas Schütte - Silly Lillies, 1995</image:title>
      <image:caption>THOMAS SCHÜTTE Silly Lillies, 1995 Suite of 7 color lithographs of lillies</image:caption>
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      <image:title>Thomas Schütte - Silly Lillies, 1995</image:title>
      <image:caption>THOMAS SCHÜTTE Silly Lillies, 1995 Suite of 7 color lithographs of lillies</image:caption>
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      <image:title>Thomas Schütte - Silly Lillies, 1995</image:title>
      <image:caption>THOMAS SCHÜTTE Silly Lillies, 1995 Suite of 7 color lithographs of lillies</image:caption>
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      <image:title>Thomas Schütte - Silly Lillies, 1995</image:title>
      <image:caption>THOMAS SCHÜTTE Silly Lillies, 1995 Suite of 7 color lithographs of lillies</image:caption>
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      <image:title>Thomas Schütte - Silly Lillies, 1995</image:title>
      <image:caption>THOMAS SCHÜTTE Silly Lillies, 1995 Suite of 7 color lithographs of lillies</image:caption>
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      <image:caption>THOMAS SCHÜTTE Fleurs pour M. Duchamp, 2002 Suite of thirteen acquatints. Flowers in muted tones</image:caption>
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      <image:title>Thomas Schütte - Fleurs pour M. Duchamp, 2002</image:title>
      <image:caption>THOMAS SCHÜTTE Fleurs pour M. Duchamp, 2002 Suite of thirteen acquatints. Flowers in muted tones</image:caption>
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      <image:title>Thomas Schütte - Fleurs pour M. Duchamp, 2002</image:title>
      <image:caption>THOMAS SCHÜTTE Fleurs pour M. Duchamp, 2002 Suite of thirteen acquatints. Flowers in muted tones</image:caption>
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      <image:title>Thomas Schütte - Fleurs pour M. Duchamp, 2002</image:title>
      <image:caption>THOMAS SCHÜTTE Fleurs pour M. Duchamp, 2002 Suite of thirteen acquatints. Flowers in muted tones</image:caption>
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      <image:title>Thomas Schütte - Fleurs pour M. Duchamp, 2002</image:title>
      <image:caption>THOMAS SCHÜTTE Fleurs pour M. Duchamp, 2002 Suite of thirteen acquatints. Flowers in muted tones</image:caption>
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      <image:title>Thomas Schütte - Fleurs pour M. Duchamp, 2002</image:title>
      <image:caption>THOMAS SCHÜTTE Fleurs pour M. Duchamp, 2002 Suite of thirteen acquatints. Flowers in muted tones</image:caption>
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      <image:title>Thomas Schütte - Fleurs pour M. Duchamp, 2002</image:title>
      <image:caption>THOMAS SCHÜTTE Fleurs pour M. Duchamp, 2002 Suite of thirteen acquatints. Flowers in muted tones</image:caption>
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      <image:title>Thomas Schütte - Fleurs pour M. Duchamp, 2002</image:title>
      <image:caption>THOMAS SCHÜTTE Fleurs pour M. Duchamp, 2002 Suite of thirteen acquatints. Flowers in muted tones</image:caption>
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      <image:title>Thomas Schütte - Fleurs pour M. Duchamp, 2002</image:title>
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      <image:title>Thomas Schütte - Quengelware, 2002</image:title>
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      <image:title>Thomas Schütte - Quengelware, 2002</image:title>
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      <image:title>Thomas Schütte - Quengelware, 2002</image:title>
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      <image:title>Thomas Schütte - Quengelware, 2002</image:title>
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      <image:title>Thomas Schütte - Quengelware, 2002</image:title>
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      <image:title>Thomas Schütte - Quengelware, 2002</image:title>
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      <image:title>Thomas Schütte - Quengelware, 2002</image:title>
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      <image:title>Thomas Schütte - Quengelware, 2002</image:title>
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      <image:title>Thomas Schütte - Quengelware, 2002</image:title>
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      <image:title>Thomas Schütte - Quengelware, 2002</image:title>
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      <image:title>Thomas Schütte - Quengelware, 2002</image:title>
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      <image:caption>THOMAS SCHÜTTE Old Friends Revisited (color), 2021 Inkjet pigment prints on paper. Old men in close up made from clay in bright colors</image:caption>
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    <lastmod>2024-08-30</lastmod>
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      <image:caption>THOMAS SCHÜTTE Old Friends Revisited (color), 2021 Inkjet pigment prints on paper. Old men in close up made from clay in sepia colors</image:caption>
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      <image:caption>THOMAS SCHÜTTE Old Friends Revisited (color), 2021 Inkjet pigment prints on paper. Old men in close up made from clay in sepia colors</image:caption>
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      <image:caption>THOMAS SCHÜTTE Old Friends Revisited (color), 2021 Inkjet pigment prints on paper. Old men in close up made from clay in sepia colors</image:caption>
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      <image:caption>THOMAS SCHÜTTE Old Friends Revisited (color), 2021 Inkjet pigment prints on paper. Old men in close up made from clay in sepia colors</image:caption>
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      <image:caption>THOMAS SCHÜTTE Old Friends Revisited (color), 2021 Inkjet pigment prints on paper. Old men in close up made from clay in sepia colors</image:caption>
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      <image:caption>THOMAS SCHÜTTE Old Friends Revisited (color), 2021 Inkjet pigment prints on paper. Old men in close up made from clay in sepia colors</image:caption>
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      <image:caption>THOMAS SCHÜTTE Old Friends Revisited (color), 2021 Inkjet pigment prints on paper. Old men in close up made from clay in sepia colors</image:caption>
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    <lastmod>2024-08-30</lastmod>
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